Recently, the talented Nigerian artist REMA was in London for a show that undoubtedly generated a series of reactions and controversies. The performance not only left a musical mark but also provoked discussions about the interpretation of his artistic choices, particularly regarding his attire and triumphant entrance mounted on a black horse.
In the post-show statement, REMA expressed his disappointment regarding certain opinions from his fellow Africans. He lamented the difficulty some people face in rejecting ancestral knowledge and stated that his clothing choices during the show did not have a mysterious connotation, but rather reflected his personal appreciation for horses.
REMA's statement appears to be a direct response to criticism he has received, suggesting that some viewers may have interpreted his artistic choices as something more than simple personal preferences. The exploration of African themes, both culturally and musically, is an essential part of REMA's identity, and he has shown pride in bringing African music to the international stage.
REMA's presence on a black horse certainly added a dose of theatricality to his performance, but, as he emphasizes, there is no hidden meaning. His explanation of his fondness for horses underscores the importance of considering the individuality behind artistic choices, which don't always carry a deep political or symbolic message.
By exporting African music internationally, REMA is playing a crucial role in promoting global musical diversity. Its presence in London not only celebrated the richness of African culture but also challenged expectations and invited reflection on the interpretation of artistic expressions.
