{"id":81787,"date":"2025-05-29T14:11:04","date_gmt":"2025-05-29T12:11:04","guid":{"rendered":"https:\/\/ihapari.com\/?p=81787"},"modified":"2025-05-29T14:11:04","modified_gmt":"2025-05-29T12:11:04","slug":"helder-jantar-no-brasil-silencio-mediatico-ou-desvalorizacao-cultural","status":"publish","type":"post","link":"https:\/\/ihapari.com\/en\/helder-jantar-no-brasil-silencio-mediatico-ou-desvalorizacao-cultural\/","title":{"rendered":"H\u00e9lder Jantar in Brazil: Media silence or cultural devaluation?"},"content":{"rendered":"

Since arriving in Brazil, the Mozambican comedian H\u00e9lder Jantar<\/strong> He has performed numerous comedy shows, appeared on international stages, and gained new audiences outside of Mozambique. However, the artist recently made a post that raises a necessary debate: Why has the Mozambican media given virtually no coverage to his international career?<\/strong><\/p>\n

\u201cIf I said that Mozambique is poor, all the bloggers would be talking about me. Since I'm only in Brazil \ud83c\udde7\ud83c\uddf7 telling jokes, everything is normal, isn't it?\u201d<\/em>
\n\u2014 wrote H\u00e9lder Jantar on social media.<\/p><\/blockquote>\n

The criticism is clear: There is a silence surrounding his rise abroad.<\/strong> which contrasts with the speed at which his name would make headlines in the event of controversies.<\/p>\n

A growing career in Brazil<\/h3>\n

Since settling in Brazil\u2014a country with a robust and highly competitive comedy industry\u2014H\u00e9lder Jantar has performed in various theaters and comedy clubs, bringing the Mozambican style of humor to new audiences. Despite this professional progress, Only one national media outlet \u2014 the Apathany portal \u2014 has provided consistent coverage of his journey abroad.<\/strong>.<\/p>\n

This raises serious questions about the The role and responsibility of national media<\/strong> in valuing their talents, especially those who are beginning to succeed beyond borders.<\/p>\n

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\"\"<\/a><\/p>\n

Debate: Why the silence?<\/h3>\n
    \n
  1. Is it possible that the Mozambican media is only interested in artists when there are scandals?<\/strong>
    \nH\u00e9lder suggests that if he said something provocative, he would gain attention\u2014but his honest, non-controversial work is ignored.<\/li>\n
  2. Lack of interest or lack of structure?<\/strong>
    \nIs it possible that national media outlets lack the capacity (or editorial interest) to cover artists performing abroad?<\/li>\n
  3. Devaluation of humor as an art form?<\/strong>
    \nIs it possible that comedians are still not seen as "serious" artists by the national press, despite their reach and social impact?<\/li>\n
  4. Unfair expectations about success abroad?<\/strong>
    \nArtists who go abroad are often expected to "explode" in order to gain recognition, ignoring the daily effort and small achievements.<\/li>\n<\/ol>\n

    Something to think about\u2026<\/h3>\n
      \n
    • What is preventing figures like H\u00e9lder Jantar from receiving the recognition they deserve?<\/li>\n
    • Is the national press giving sufficient coverage to its artists in the diaspora?<\/li>\n
    • Does visibility only happen when there's controversy?<\/li>\n<\/ul>","protected":false},"excerpt":{"rendered":"

      Desde que chegou ao Brasil, o humorista mo\u00e7ambicano H\u00e9lder Jantar tem realizado diversos shows de com\u00e9dia, marcado presen\u00e7a em palcos internacionais e conquistado novas plateias fora de Mo\u00e7ambique. No entanto, o artista fez recentemente uma publica\u00e7\u00e3o que levanta um debate necess\u00e1rio: por que \u00e9 que a m\u00eddia mo\u00e7ambicana praticamente n\u00e3o tem dado destaque \u00e0 sua […]<\/p>","protected":false},"author":3,"featured_media":81788,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[29],"tags":[],"class_list":["post-81787","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cultura"],"jetpack_featured_media_url":"https:\/\/ihapari.com\/wp-content\/uploads\/2025\/05\/FB_IMG_1748519988586.jpg","_links":{"self":[{"href":"https:\/\/ihapari.com\/en\/wp-json\/wp\/v2\/posts\/81787","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ihapari.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ihapari.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ihapari.com\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/ihapari.com\/en\/wp-json\/wp\/v2\/comments?post=81787"}],"version-history":[{"count":1,"href":"https:\/\/ihapari.com\/en\/wp-json\/wp\/v2\/posts\/81787\/revisions"}],"predecessor-version":[{"id":81789,"href":"https:\/\/ihapari.com\/en\/wp-json\/wp\/v2\/posts\/81787\/revisions\/81789"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ihapari.com\/en\/wp-json\/wp\/v2\/media\/81788"}],"wp:attachment":[{"href":"https:\/\/ihapari.com\/en\/wp-json\/wp\/v2\/media?parent=81787"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ihapari.com\/en\/wp-json\/wp\/v2\/categories?post=81787"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ihapari.com\/en\/wp-json\/wp\/v2\/tags?post=81787"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}